I Like to Smoke in Silence After Raves
I spent about four months choosing and rearranging these 30 tracks until the mix felt right.
Streaming is useful for discovery. If you want to support my work directly, buying a track on Bandcamp makes the biggest difference.
Visit my Bandcamp ↗Club music, experimental electronic, breaks, grime and techno connected into long-form sets without genre borders.
I spent about four months choosing and rearranging these 30 tracks until the mix felt right.
A loud and restless mix about going out again even when you know better.
Breakbeat, bass, garage, jungle and experimental electronic tracks, built from scratch in a DAW. I do not use generative AI in music.
Breakbeat, garage, jungle, techno and melancholic electronic music.
Sketches and original productions from my SoundCloud.
Breaks, UK garage, jungle, ambient and leftfield club music I return to and build from.
Long-form articles about the sounds, scenes, technology and communities behind underground club culture.
Festivals~7 min readFrom a Novi Sad student movement and the Dance Arena at Petrovaradin Fortress to the post-2025 global tour.
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Festivals~7 min readAn airfield festival for EDM, techno, hardstyle and psytrance, with camping operating as part of the event.
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Festivals~7 min readChicago house history, international techno, the compact Union Park site and the city-wide After Dark programme.
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Festivals~7 min readOne long electronic event on exposed land near Fraga, with roots in Florida 135 and stages running through the night.
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Festivals~7 min readA five-day camping festival built as a fictional city, with soundsystem culture, electronic music, live bands and street theatre.
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Festivals~7 min readFive days on Óbuda Island, with pop, rock and hip-hop beside club stages, theatre, circus and a rail link into Budapest.
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Festivals~8 min readFrom the free Detroit Electronic Music Festival in 2000 to six stages at Hart Plaza over Memorial Day weekend.
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Music history~8 min readReverse bass, distorted pitched kicks, the Dutch festival circuit and the split between euphoric and raw hardstyle.
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My taste comes from Eastern European melancholy, German electronic music and the restless energy of UK bass, from jungle and drum and bass to garage and hardcore. I started with Eurodance as a kid, then got obsessed with The Prodigy, Fatboy Slim, The Chemical Brothers, Underworld, The Future Sound of London and Meat Beat Manifesto, alongside West Coast rap. Jungle and drum and bass led me to Goldie, LTJ Bukem, Photek, Source Direct and 4hero, while Sade, Seal and Sting taught me that melody and atmosphere matter as much as drums.
My tracks and DJ sets move through breakbeat, bass, club music, experimental electronic, breaks and rave, with elements of grime and techno. I do not stay inside one genre, and I am always looking for connections between rhythms, scenes and eras.
I make music for pre-parties, clubs, raves and afters, but also for walking alone or sitting on a balcony with a cigarette and thinking about life.